This chair from the late Ming dynasty represents an exceptional example of the art and craftsmanship that characterizes the Ming style. Side chairs, or chairs without arms, appeared during the Song dynasty and maintained a simple, unchanging form through successive dynasties, up to the Qing dynasty. Although they were likely the most common type of chair, their less sturdy structure compared to those with armrests led to the survival of fewer examples. The traditional term "lamphanger chair" (deng'gua yi) appears in texts from the Yongzheng period (1722-1735) and is still used in China today to describe these chairs. This type of seating, while less structured than others, was characterized by a simple and functional design, making it a common element in Chinese homes. Crafted from dark wood, the chair exudes an air of elegance and authority. The straight, square-sectioned legs provide a stable and sturdy base, while the backrest, though straight, features a slight curve at the top to enhance comfort. The intricate carvings on the backrest, executed with great skill, add a touch of sophistication, highlighting the care and precision that define the furniture of this period. A particularly fascinating detail of this chair is the carvings depicting two main figures: the lower one represents a man holding a plant from which Chinese wén coins grow, symbolizing prosperity. Above it, peaches can be seen, a lucky fruit in Chinese tradition that represents longevity. These symbols, combined, give the chair a profound auspicious meaning. This chair is not just a piece of furniture but a tangible witness to the rich Chinese artisanal tradition. Its design reflects both the aesthetic sensibilities of the Ming dynasty and the functional considerations that made it a popular choice. With its imposing presence and inherent cultural value, this chair is a work of art that enriches any space with its history and significance.
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SILVER Seller in Milano, Italia
