Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 1](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406563/conversions/f_40651892_1721127555523_bg_processed-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 2](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406570/conversions/IMG_3367_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 3](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406576/conversions/IMG_3368_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 4](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406582/conversions/IMG_3369_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 5](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406588/conversions/IMG_3370_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 6](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406595/conversions/IMG_3372_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 7](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406602/conversions/IMG_3375_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 8](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406607/conversions/IMG_3376_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 9](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406612/conversions/IMG_3377_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 10](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406616/conversions/IMG_3378_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 11](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406620/conversions/IMG_3379_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 12](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406624/conversions/IMG_3382_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 13](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406627/conversions/IMG_3383_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 14](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406630/conversions/IMG_3385_master-large.webp)
![Table TL22 by F. Albini for Poggi with intervention of A. Tonni, 1960s 15](https://www.intondo.com/media/mounted_nas/app-models-product/2024/1406632/conversions/IMG_3386_master-large.webp)
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The one we propose is the iconic TL22 table designed by Franco Albini in 1958 and produced by Poggi but which, having come to us in the 21st century, is reinterpreted and modernized by the intervention of artist Alberto Tonni. In fact, it is found in a completely new and never-before-seen guise, made unique by an artist and designer who, bringing his own added value, creates something unrepeatable. Ill table top was modified with the addition of a solid brass plate, modeled on the curves of the board, but without changing its contours, thicknesses, and measurements. In addition, to overcome the problem of the weight that would burden the cantilevered feet of the structure, solid supports are added under the crossbar, making the table even more solid and strong. By Alberto Tonni. "I approached design by chance, after following the work on my first house in 1993, a passion that has become a second job, because I certainly interiors for friends and clients as well.I am a frequent visitor to markets, galleries, modern and antique stores, when I see something that attracts me I pick it up and then over time I transform it; I like to give another life to an anonymous forgotten object, recovering it with manual skill and imagination, a virtuous approach today when there is so much talk of sustainability. I collaborate with good craftsmen, but I often make the pieces myself, cut glass, oxidize metals, dye leather, model wood-I am self-taught." (from Living Courier)
ID: 180-1721481292-97985