Set of four Chinese Ming dynasty style ceremonial chairs, late 19th century. This set of four beautiful and rare Chinese formal chairs has some unique features. It is important to note that two of them have the same height, while the other two are slightly lower (see photos). This difference does not diminish their value, on the contrary, it adds a unique characteristic. The two lower chairs have identical inlays on the high back panels, while the higher chairs have different designs from each other. The light wood inlay designs, located on the center panels of each chair, are encased in a curvilinear rail. Due to their general shape, they can be classified as ceremonial chairs. The inlay decorations represent auspicious symbols and scenes of luck and prosperity. Compared to normal chairs, these have wider seats and a more complex workmanship, with several wooden plates connected by joints without the use of nails. The central panels of the backrests are finely decorated and curved outwards for a more comfortable seat. The legs are thick, massive and slightly flared outwards to ensure perfect stability, ensuring that the chairs are comfortable for the longest and most exhausting ceremonies. These chairs were made between 1870 and 1875, during the Qing dynasty, but in the Ming style. Although earlier, the Ming style greatly influenced later production. Ming chairs are characterized by clean lines, balance and functional simplicity. It is likely that these chairs were created in a specialized workshop in Beijing, a major furniture manufacturing center known for its high-quality chairs, often commissioned by nobility and the imperial court. The other major chair manufacturing centers, Suzhou and Guangzhou, had characteristics that did not suit our chairs. Suzhou artisans specialized in intricate details and designs, while Guangzhou was known for the influence of international trade, which led to more elaborate and ornate designs. As for the wood, during the Ming period Hanghuali (a rare and precious rose wood) was used, appreciated for its hardness and natural beauty. These chairs, however, were made during the Qing Dynasty, when Zitan was used. Zitan is a hard and dense wood with little evident grain and a fine structure, similar to rosewood, coming from Indochina and the island of Hainan, much appreciated by Chinese artisans and their demanding and refined clientele of nobles. 19th-century Chinese chairs feature a wide variety of styles and techniques, reflecting both local traditions and external influences. The craftsmanship and quality make these furniture not only functional but also works of art. We have not restored the wooden structure of the chairs, as their surface patina and small imperfections increase their charm and attest to their antiquity and authenticity. Some of the columns that space the lower part of the seat are missing, with a small partition placed between the two front legs. We were unable to find the original wood to replace the missing pieces, so we preferred to leave the chairs in their original condition. Seat height: 50 cm.
.png)
SILVER Seller in Prato, Italy
